Zarah Mangera is a UK based artist working with photography and installation to explore memory, belonging, and diasporic experience. Her practice engages with inherited histories, fragmented archives, and everyday materials to examine how identity is shaped across generations and geographies.

Through material processes of construction, erosion, and assemblage, her work treats memory not as something fixed or complete, but as unstable, partial, and continually re-formed. Photography operates both as image and object, extending into sculptural and site-responsive installations that hold traces of absence, displacement, and continuity.

Positioned within the in-between, between past and present, here and elsewhere, her practice approaches art-making as a form of inquiry, offering spaces where memory is encountered, negotiated, and reimagined.